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Copyrights

Your work is yours. Registration lets you prove it

Copyright exists the moment you make something. Registering it is what lets you sue over a copy, and in many cases recover set damages and fees.

I register illustrations, patterns, photographs, songs, software and books for the people who made them, and I help when someone copies the work: a takedown notice to a platform, a letter to the seller, or a referral to a litigator when it goes further.

Pencil fashion sketches and a painted fabric swatch spread on a desk beside an eraser

Work I register most

  • Art and design

    Illustrations, prints, textile patterns and packaging art.

  • Photographs

    Single images or a group of unpublished photos in one filing.

  • Music and audio

    Songs, recordings and podcast episodes, with the ownership split written down.

  • Software and writing

    Source code, apps, books, courses and newsletters.

Copyright work, at a flat fee

  • Registration

    Preparing and filing one application with the Copyright Office.

  • Group registration

    Up to ten unpublished photos or a batch of short works, where the rules allow.

  • Takedown notice

    A notice to a marketplace or host to remove a copy of your work.

Copyright Office fees are separate and passed through at cost.

Copyright questions

When should I register?

Before you publish, or within three months after, if you can. That timing keeps the strongest remedies available if someone copies the work later.

Someone is selling my design on a marketplace. What now?

Most marketplaces remove a copy after a proper takedown notice. Send me the listing and your original files, and I tell you within two business days whether a notice is the right first step.

Who owns work a contractor made for me?

Often the contractor, unless a written agreement says otherwise. If your logo or code came from a freelancer, an assignment fixes that, and it is worth doing before you file.